Genre: 逆ホラーメトロイドヴァニア
Game Overview
CARRION plays as the monster escaping a research facility using a tentacle physics system. GPA scores it high on Action and Horror.
Recommended for: Beginners to Advanceds (scores ≥ 50 indicate a good fit)
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CARRION（キャリオン） leads with its 逆ホラーメトロイドヴァニア identity, anchored by the core feel of "CARRION plays as the monster escaping a research facility using a tentacle physics system." The headline profile reads Action 80% / Dystopian Setting 70% / Dark 70%, making it a strong pick for fans of Action and Dystopian Setting. Oriented toward experienced players looking to push their limits.
Our editorial team scored "CARRION（キャリオン）" by using its feel of indie, 触手モンスター操作, and metroidvania as the primary lens, weighting Action and Dystopian Setting most heavily. Top similar titles include "Inside（インサイド）", "Death's Door（デスズドア）", "システムショック（System Shock）リメイク".
CARRION is a reverse-horror Metroidvania in which you play as an amorphous creature imprisoned inside an underground research facility.
There is no helpless survivor here.
You are the thing people are afraid of.
Instead of hiding from monsters, the player stalks researchers and soldiers, consumes them, grows in size, unlocks new abilities, and tears the facility apart while searching for a way out.
That simple reversal is the foundation of CARRION's entire design.
Most horror games are built around a familiar relationship: the player is vulnerable, while the monster has the power.
CARRION flips that relationship.
Instead of wondering what might be hiding in the darkness, you are the thing hiding in the darkness.
You can watch human enemies from behind walls, reach out with your tentacles, drag them into the shadows, and consume them.
The question is no longer, “What is going to attack me?”
It becomes, “How am I going to hunt them?”
That distinction gives CARRION a very different kind of horror experience.
GPA gives the game an 80% Action score, its highest rating, which fits the game's emphasis on active movement, combat, and creature control.
The creature's body is more than a visual gimmick.
Its tentacles can grab objects and enemies, squeeze through tight spaces, and move through ventilation systems. The player's movement constantly reinforces the idea that this is an unnatural, shapeless organism rather than a conventional character.
That is one of the game's smartest design choices.
The creature's identity is communicated through the controls themselves.
Moving through narrow passages doesn't simply show you that the monster is strange. You physically feel its strange anatomy as you play.
The result is a rare case where character design and gameplay mechanics are almost inseparable.
CARRION also ties its progression system directly to the creature's behavior.
The monster consumes humans, gains biomass, grows, and eventually acquires new abilities. Those abilities open up new routes through the facility and allow the creature to reach previously inaccessible areas. (Steam Store)
In a conventional action game, defeating an enemy might give you experience points or an item.
Here, eating the enemy is the progression system.
That makes the game's grotesque premise mechanically meaningful rather than purely cosmetic.
The more monstrous you become, the more capable you become.
Underneath its reverse-horror premise, CARRION is also a Metroidvania.
New abilities allow you to revisit earlier areas and discover paths that were previously inaccessible.
The research facility therefore works as both a setting and a giant interconnected puzzle.
GPA gives the game a 55% Intelligence score, reflecting this combination of exploration, ability-based progression, and environmental problem-solving.
The player is constantly making small decisions:
Where can this new ability take me?
Was there an area I couldn't reach earlier?
Should I return to an older section of the facility?
But CARRION never loses sight of its action-game identity. With an 80% Action score, movement and combat remain central to the experience.
CARRION's visual identity is equally distinctive.
The creature is an unsettling mass of flesh, eyes, mouths, and tentacles, rendered in pixel art rather than realistic 3D graphics.
Despite the deliberately low-resolution presentation, the creature's animation is remarkably fluid.
Tentacles twist around corners, the body changes shape, and the monster squeezes through spaces that a human character could never navigate.
GPA gives the game's Graphics a 50% score, which is relatively moderate compared with its Action and Worldbuilding scores.
That makes sense when considering what CARRION is trying to achieve.
It isn't competing on visual fidelity. Its strength lies in using pixel art and animation to create a creature that feels constantly alive and physically unpredictable.
Perhaps the most satisfying part of CARRION is the gradual shift in power.
At the beginning, the creature is trapped.
As it feeds and gains abilities, however, the balance of power changes. Eventually, the facility that once contained the monster starts to feel like its hunting ground.
This is where the reverse-horror concept really pays off.
The player isn't simply surviving horror.
The player is becoming the horror.
GPA rates the game at 65% Horror and 70% Dark, suggesting that its atmosphere remains firmly rooted in horror while giving the player considerably more agency than a traditional horror protagonist.
* Based on GPA sub-tag scores. Reverse horror and tentacle Metroidvania design.
The most important combination is 80% Action × 65% Horror.
CARRION isn't simply a scary game with a monster protagonist. It takes the basic structure of horror and turns it into an action system.
The player becomes the pursuer rather than the victim.
GPA also ranks Inside as one of CARRION's closest matches, with a 79% similarity score. Both games share oppressive environments, dark visual storytelling, and a strong reliance on atmosphere rather than exposition.
But their perspectives are fundamentally different.
In Inside, you are a vulnerable figure trying to survive an oppressive world.
In CARRION, you are the thing the world is trying to contain.
That reversal is what makes CARRION more than just another 2D horror game. It is a game built around the simple but powerful idea of letting the player experience horror from the other side.
Broader horror context: 50 Horror Games.